Woodbine Willie

Woodibine Wille

Studdert Kennedy is commemorated with a feast day on the liturgical calendars of the Church of England and the Episcopal Church (USA) on 8 March.

Legacy
He wrote the poem Roses in December, which J.M. Barrie quoted in his rectorial address to the University of St. Andrews entitled Courage in 1922, and often misattributed to Barrie.

War! Lies! And a Packet of Fags! is a play by David Gooderson about the Great War and its aftermath—the story of “Woodbine Willie”.

The play is based on extensive research into the life of Studdert Kennedy, including meetings with members of his family, and a detailed study of the background of the period.

He is mentioned in the Divine Comedy song “Absent Friends”: “Woodbine Willie couldn’t rest until he’d/given every bloke a final smoke/before the killing,” and in Finnegans Wake by Irish author James Joyce: “tsingirillies’ zyngarettes, while Woodbine Willie, so popular with the poppyrossies”.

Venerable Archbishop Fulton J.

Sheen quoted Studdert Kennedy’s 1918 poem “Indifference” (from the collection called “Rough Rhymes of a Padre”) when Sheen spoke publicly about the need for enthusiasm in all of one’s life.

Studdert Kennedy “wrote this poem during what was called ‘the great disillusion’ of the 1920’s”.

Sheen’s point was that the “world is suffering from indifference” as “apathy, not caring.”

Sheen noted that he wondered if Jesus Christ “did not suffer more from our indifference than he did from the crucifixion.

To make his point he recited Studdert Kennedy’s poem “Indifference.”

“Till We Meet Again”

“Till we meet again”

“Till We Meet Again” is an American popular song.

The music was written by Richard A. Whiting, the lyrics by Raymond B. Egan in 1918.

Written during the Great War, the song tells of the parting of a soldier and his sweetheart.

The title comes from the final line of the chorus:

Smile the while you kiss me sad adieu,
When the clouds roll by I’ll come to you,
Then the skies will seem more blue,
Down in lovers lane my dearie,
Wedding bells will ring so merrily,
Every tear will be a memory,
So wait and pray each night for me,
Till we meet again.

As Whiting’s daughter Margaret tells it, the song was intended for a 1918 contest at a Detroit theater. Dissatisfied with the result, Whiting threw the manuscript in the trash.

His secretary retrieved it and showed it to their boss, publisher Jerome Remick, who submitted it in the contest, where it won top honors.

The song gained widespread popularity in Canadian traditional music circles as a result of its use as the closing number for the CBC television program Don Messer’s Jubilee.

It continues to be a standard ending number for Old Time dances across the country.

In 1919, it was the number 1 song of the year as recorded by Henry Burr and Albert Campbell.

Other artists who recorded the song include Charles Hart & Lewis James, Gitz Rice & Vernon Dalhart, Nicolas Orlando’s Orchestra,

British duet Coltham & Parker, Doris Day, Albert Brunies, Kid Thomas Valentine, George Lewis, Bing Crosby, and Patti Page.

The song and tune were adopted by supporters of the English football team, Huddersfield Town in the 1920s and is still sung by them.

Pack All Your Troubles (in your old kit bag)

Pack All Your Troubles (in your old kit bag)

“Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile” is the full name of a World War I marching song, published in 1915 in London.

It was written by Welsh songwriter George Henry Powell under the pseudonym of “George Asaf”, and set to music by his brother Felix Powell.

It was featured in the American show Her Soldier Boy, which opened in December 1916.

Performers associated with this song include the Victor Military Band, James F. Harrison, Murray Johnson, Reinald Werrenrath, and the Knickerbocker Quartet.

A later play presented by the National Theatre recounts how this music hall stars rescued the song from their rejects pile and re-scored it to win a wartime competition for a marching song.

It became very popular, boosting British morale despite the horrors of that war.

It was one of a large number of music hall songs aimed at maintaining morale, recruiting for the forces, or defending Britain’s war aims.

Another of these songs, “It’s a Long Way to Tipperary”, was so similar in a musical structure that the two were sometimes sung side by side.

Siegfried Sassoon

Siegfried Loraine Sassoon

Siegfried Loraine Sassoon, CBE, MC (8 September 1886 – 1 September 1967) was an English poet, writer, and soldier.

Decorated for bravery on the Western Front, he became one of the leading poets of the First World War.

His poetry both described the horrors of the trenches and satirised the patriotic pretensions of those who, in Sassoon’s view, were responsible for a jingoism-fuelled war.

Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his “Soldier’s Declaration” of 1917, culminating in his admission to a military psychiatric hospital; this resulted in his forming a friendship with Wilfred Owen, who was greatly influenced by him.

Sassoon later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the “Sherston trilogy”.

Motivated by patriotism, Sassoon joined the British Army just as the threat of a new European war was recognized, and was in service with the Sussex Yeomanry on 4 August 1914, the day the United Kingdom of Great Britain and Ireland declared war on Germany.

He broke his arm badly in a riding accident and was put out of action before even leaving England, spending the spring of 1915 convalescing.

(Rupert Brooke, whom Sassoon had briefly met, died in April on the way to Gallipoli.)

He was commissioned into the 3rd Battalion (Special Reserve), Royal Welch Fusiliers, as a second lieutenant on 29 May 1915.

On 1 November his younger brother Hamo was killed in the Gallipoli Campaign, and in the same month Siegfried was sent to the 1st Battalion in France.

There he met Robert Graves, and they became close friends.

United by their poetic vocation, they often read and discussed each other’s work.

Though this did not have much perceptible influence on Graves’ poetry, his views on what may be called ‘gritty realism’ profoundly affected Sassoon’s concept of what constituted poetry.

He soon became horrified by the realities of war, and the tone of his writing changed completely: where his early poems exhibit a Romantic, dilettantish sweetness, his war poetry moves to increasingly discordant music, intended to convey the ugly truths of the trenches to an audience hitherto lulled by patriotic propaganda.

Details such as rotting corpses, mangled limbs, filth, cowardice, and suicide are all trademarks of his work at this time, and this philosophy of ‘no truth unfitting’ had a significant effect on the movement towards Modernist poetry.

Sassoon’s periods of duty on the Western Front were marked by exceptionally brave actions, including the single-handed capture of a German trench in the Hindenburg Line.

Armed with grenades, he scattered sixty German soldiers:

He went over with bombs in daylight, under covering fire from a couple of rifles, and scared away the occupants. A pointless feat, since instead of signaling for reinforcements, he sat down in the German trench and began reading a book of poems which he had brought with him.

When he went back he did not even report. Colonel Stockwell, then in command, raged at him.

The attack on Mametz Wood had been delayed for two hours because British patrols were still reported to be out. “British patrols” were Siegfried and his book of poems.

“I’d have got you a DSO, if you’d only shown more sense,” stormed Stockwell.

Sassoon’s bravery was so inspiring that soldiers of his company said that they felt confident only when they were accompanied by him.

He often went out on night raids and bombing patrols and demonstrated ruthless efficiency as a company commander.

Deepening depression at the horror and misery the soldiers were forced to endure produced in Sassoon’s paradoxically manic courage, and he was nicknamed “Mad Jack” by his men for his near-suicidal exploits.

On 27 July 1916, he was awarded the Military Cross; the citation read:
2nd Lt.

Siegfried Lorraine [sic] Sassoon, 3rd (attd. 1st) Bn., R. W. Fus.

For conspicuous gallantry during a raid on the enemy’s trenches. He remained for 1½ hours under rifle and bomb fire collecting and bringing in our wounded. Owing to his courage and determination all the killed and wounded were brought in.

Robert Graves described Sassoon as engaging in suicidal feats of bravery.

Sassoon was also later recommended for the Victoria Cross.

War opposition and Craiglockhart
Despite his decorations and reputation, in 1917 Sassoon decided to make a stand against the conduct of the war.

One of the reasons for his violent anti-war feeling was the death of his friend David Cuthbert Thomas, who appears as “Dick Tiltwood” in the Sherston trilogy.

Sassoon would spend years trying to overcome his grief.

In August 1916, Sassoon arrived at Somerville College, Oxford, which was used as a hospital for convalescing officers, with a case of gastric fever.

He wrote: To be lying in a littel white-walled room, looking through the window on to a College lawn, was for the first few days very much like a paradise.

Graves ended up at Somerville as well. How unlike you to crib my idea of going to the Ladies’ College at Oxford, Sassoon wrote to him in 1917.

At the end of a spell of convalescent leave, Sassoon declined to return to duty; instead, encouraged by pacifist friends such as Bertrand Russell and Lady Ottoline Morrell, he sent a letter to his commanding officer entitled Finished with the War: A Soldier’s Declaration.

Forwarded to the press and read out in the House of Commons by a sympathetic member of Parliament, the letter was seen by some as treasonous (“I am making this statement as an act of wilful defiance of military authority”) or at best as condemning the war government’s motives (“I believe that the war upon which I entered as a war of defense and liberation has now become a war of aggression and conquest”.

Rather than court-martial Sassoon, the Under-Secretary of State for War, Ian Macpherson, decided that he was unfit for service and had him sent to Craiglockhart War Hospital near Edinburgh, where he was officially treated for neurasthenia (“shell shock”).

For many years it had been thought that, before declining to return to active service, Sassoon had thrown his Military Cross into the River Mersey at Formby beach.

According to his description of this incident in Memoirs of an Infantry Officer, he did not do this as a symbolic rejection of militaristic values, but simply out of the need to perform some destructive activity in the catharsis of the black mood which was afflicting him; his account states that one of his pre-war sporting trophies, had he had one to hand, would have served his purpose equally well.

In fact, the MC was discovered after the death of Sassoon’s only son, George, in the home of Sassoon’s ex-wife, which George had inherited.

The Cross subsequently became the subject of a dispute among Sassoon’s heirs.

At Craiglockhart, Sassoon met Wilfred Owen, another poet.

It was thanks to Sassoon that Owen persevered in his ambition to write better poetry.

A manuscript copy of Owen’s Anthem for Doomed Youth containing Sassoon’s handwritten amendments survives as testimony to the extent of his influence and is currently on display at London’s Imperial War Museum.

Sassoon became to Owen “Keats and Christ and Elijah”; surviving documents demonstrate clearly the depth of Owen’s love and admiration for him.

Both men returned to active service in France, but Owen was killed in 1918, a week before Armistice.

Sassoon, despite all this, was promoted to lieutenant, and having spent some time out of danger in Palestine, eventually returned to the Front. 

On 13 July 1918, Sassoon was almost immediately wounded again—by friendly fire when he was shot in the head by a fellow British soldier who had mistaken him for a German near Arras, France. 

As a result, he spent the remainder of the war in Britain. By this time he had been promoted to acting captain. 

He relinquished his commission on health grounds on 12 March 1919 but was allowed to retain the rank of captain.

After the war, Sassoon was instrumental in bringing Owen’s work to the attention of a wider audience. Their friendship is the subject of Stephen MacDonald’s play, Not About Heroes.

At the end of 1917, Sassoon was posted to Limerick, Ireland, wherein the New Barracks he helped train new recruits.

He wrote that it was a period of respite for him, and allowed him to indulge in his love of hunting.

Reflecting on the period years later, he mentioned how trouble was brewing in Ireland at the time, in the few years before the Irish War of Independence. After only a short period in Limerick, he was posted to Egypt, but not until he had several opportunities to hunt.

Rule, Britannia!

Rule, Britannia

“Rule, Britannia! rule the waves:
“Britons never will be slaves.”

Thee haughty tyrants ne’er shall tame:
All their attempts to bend thee down,
Will but arouse thy generous flame;
But work their woe and thy renown.
“Rule, Britannia! rule the waves:
“Britons never will be slaves.”

To thee belongs the rural reign;
Thy cities shall with commerce shine:
All thine shall be the subject main,
And every shore it circles thine.
“Rule, Britannia! rule the waves:
“Britons never will be slaves.”

The Muses, still with freedom found,
Shall to thy happy coast repair;
Blest Isle! With matchless beauty crown’d,
And manly hearts to guard the fair.
“Rule, Britannia! rule the waves:
“Britons never will be slaves.”

It’s a Long Way to Tipperary

“It’s a Long Way to Tipperary”

“It’s a Long Way to Tipperary” (or “It’s a Long, Long Way to Tipperary”) is a British music hall song first performed in 1912 by Jack Judge, and written by Judge and Harry Williams though the authorship of the song has long been disputed.

It was recorded in 1914 by Irish tenor John McCormack.

It became popular as a marching song among soldiers in the First World War and is remembered as a song of that war.

Welcoming signs in the referenced county of Tipperary, Ireland, humorously declare, “You’ve come a long way” in reference to the song.

Jack Judge’s parents were Irish, and his grandparents came from Tipperary. Judge met Harry Williams (Henry James Williams, 23 September 1873 – 21 February 1924) in Oldbury, Worcestershire at the Malt Shovel public house, where Williams’s brother Ben was the licensee.

Williams was severely disabled, having fallen down cellar steps as a child and badly broken both legs. He had developed a talent for writing verse and songs, and played the piano and mandolin, often in public.

Judge and Williams began a long-term writing partnership that resulted in 32 music hall songs published by Bert Feldman.

Many of the songs were composed by Williams and Judge at Williams’s home, The Plough Inn (later renamed The Tipperary Inn), in Balsall Common.

Because Judge could not read or write music, Williams taught them to Judge by ear.

The judge was a popular semi-professional performer in music halls. In January 1912, he was performing at the Grand Theatre in Stalybridge and accepted a 5-shilling bet that he could compose and sing a new song by the next night.

The following evening, 31 January, Judge performed “It’s a Long Way to Tipperary” for the first time, and it immediately became a great success.

The song was originally written and performed as a sentimental ballad, to be enjoyed by Irish expatriates living in London.

Judge sold the rights to the song to Bert Feldman in London, who agreed to publish it and other songs written by Judge with Williams.

Feldman published the song as “It’s a Long, Long Way to Tipperary” in October 1912, and promoted it as a march.

Dispute
Feldman paid royalties to both Judge and Williams, but after Williams’ death in 1924, Judge claimed sole credit for writing the song, saying that he had agreed to Williams being co-credited as recompense for a debt that Judge owed.

However, Williams’ family showed that the tune and most of the lyrics to the song already existed in the form of a manuscript, “It’s A Long Way to Connemara”, co-written by Williams and Judge back in 1909, and Judge had used this, just changing some words, including changing “Connemara” to “Tipperary”.

Judge said: “I was the sole composer of ‘Tipperary’, and all other songs published in our names jointly.

They were all 95% my work, as Mr Williams made only slight alterations to the work he wrote down from my singing the compositions. 

He would write it down on music-lined paper and play it back, then I’d work on the music a little more …

I have sworn affidavits in my possession by Bert Feldman, the late Harry Williams and myself confirming that I am the composer …”.

In a 1933 interview, he added: “The words and music of the song were written in the Newmarket Tavern, Corporation Street, Stalybridge on 31st January 1912, during my engagement at the Grand Theatre after a bet had been made that a song could not be written and sung the next evening …

Harry was very good to me and used to assist me financially, and I made a promise to him that if I ever wrote a song and published it, I would put his name on the copies and share the proceeds with him.

Not only did I generously fulfil that promise, but I placed his name with mine on many more of my own published contributions. During Mr Williams’ lifetime (as far as I know) he never claimed to be the writer of the song …”.

Williams’s family campaigned in 2012 to have Harry Williams officially re-credited with the song, and shared their archives with the Imperial War Museums.

The family estate still receives royalties from the song.

Other claims
In 1917, Alice Smyth Burton Jay sued song publishers Chappell & Co. for $100,000, alleging she wrote the tune in 1908 for a song played at the Alaska–Yukon–Pacific Exposition promoting the Washington apple industry.

The chorus began “I’m on my way to Yakima”.

The court-appointed Victor Herbert to act as an expert advisor and dismissed the suit in 1920 since the authors of “Tipperary” had never been to Seattle and Victor Herbert testified the two songs were not similar enough to suggest plagiarism.

Content
The song was originally written as a lament from an Irish worker in London, missing his homeland, before it became a popular soldiers’ marching song.

One of the most popular hits of the time, the song is atypical in that it is not a warlike song that incites the soldiers to glorious deeds.

Popular songs in previous wars (such as the Boer Wars) frequently did this.

In the First World War, however, the most popular songs, like this one and “Keep the Home Fires Burning”, concentrated on the longing for home.[citation needed]

Reception
Feldman persuaded Florrie Forde to perform the song in 1913, but she disliked it and dropped it from her act.

However, it became widely known.

During the First World War, Daily Mail correspondent George Curnock saw the Irish regiment the Connaught Rangers singing this song as they marched through Boulogne on 13 August 1914, and reported it on 18 August 1914.

The song was quickly picked up by other units of the British Army.

In November 1914, it was recorded by Irish tenor John McCormack, which helped its worldwide popularity. 

Other popular versions in the USA in 1915 were by the American Quartet, Prince’s Orchestra, and Albert Farrington.

The popularity of the song among soldiers, despite (or because of) its irreverent and non-military theme, was noted at the time and was contrasted with the military and patriotic songs favoured by enemy troops.

Commentators considered that the song’s appeal revealed characteristically British qualities of being cheerful in the face of hardship.

The Times suggested that “‘Tipperary’ may be less dignified, but it, and whatever else our soldiers may choose to sing will be dignified by their bravery, their gay patience, and their long-suffering kindness… We would rather have their deeds than all the German songs in the world.”

Czar Nicholas

Czar Nicholas

On 28 June 1914 Archduke Franz Ferdinand of Austria, heir to the Austro-Hungarian throne, was assassinated by a Bosnian Serb nationalist in Sarajevo, who opposed Austria-Hungary’s annexation of Bosnia-Herzegovina.

The outbreak of war was not inevitable, but leaders, diplomats, and nineteenth-century alliances created a climate for large-scale conflict.

The concept of Pan-Slavism and shared religion created strong public sympathy between Russia and Serbia. The territorial conflict created rivalries between Germany and France and between Austria-Hungary and Serbia, and as a consequence alliance networks developed across Europe.

The Triple Entente and Triple Alliance networks were set before the war.

Nicholas wanted neither to abandon Serbia to the ultimatum of Austria nor to provoke a general war.

In a series of letters exchanged with Wilhelm of Germany (the “Willy–Nicky correspondence”) the two proclaimed their desire for peace, and each attempted to get the other to back down.

Nicholas desired that Russia’s mobilization be only against Austria-Hungary, in the hopes of preventing war with Germany.

On 25 July 1914, at his council of ministers, Nicholas decided to intervene in the Austro-Serbian conflict, a step toward general war. He put the Russian army on “alert”

on 25 July. Although this was not general mobilization, it threatened the German and Austro-Hungarian borders and looked like military preparation for war.

However, his army had no contingency plans for a partial mobilization, and on 30 July 1914, Nicholas took the fateful step of confirming the order for general mobilization, despite being strongly counseled against it.

On 28 July, Austria-Hungary formally declared war against Serbia.

On 29 July 1914, Nicholas sent a telegram to Wilhelm with the suggestion to submit the Austro-Serbian problem to the Hague Conference (in Hague tribunal).

Wilhelm did not address the question of the Hague Conference in his subsequent reply.

Count Witte told the French Ambassador, Maurice Paléologue that from Russia’s point of view the war was madness, Slav solidarity was simply nonsense and Russia could hope for nothing from the war.

On 30 July, Russia ordered a general mobilization, but still maintained that it would not attack if peace talks were to begin. Germany, reacting to the discovery of partial mobilization ordered on 25 July, announced its own pre-mobilization posture, the Imminent Danger of War.

Germany requested that Russia demobilize within the next twelve hours.

In Saint Petersburg, at 7 pm, with the ultimatum to Russia having expired, the German ambassador to Russia met with the Russian Foreign Minister Sergey Sazonov, asked three times if Russia would reconsider, and then with shaking hands, delivered the note accepting Russia’s war challenge and declaring war on 1 August.

Less than a week later, on 6 August, Franz Joseph signed the Austro-Hungarian declaration of war on Russia.

The outbreak of war on 1 August 1914 found Russia grossly unprepared.

Russia and her allies placed their faith in her army, the famous ‘Russian steamroller’.

Its pre-war regular strength was 1,400,000; mobilization added 3,100,000 reserves and millions more stood ready behind them.

In every other respect, however, Russia was unprepared for war.

Germany had ten times as many railway tracks per square mile, and whereas Russian soldiers traveled an average of 1,290 kilometers (800 mi) to reach the front, German soldiers traveled less than a quarter of that distance.

Russian heavy industry was still too small to equip the massive armies the Tsar could raise, and her reserves of munitions were pitifully small; while the German army in 1914 was better equipped than any other, man-for-man, the Russians were severely short on artillery pieces, shells, motorized transports, and even boots.

With the Baltic Sea barred by German U-boats and the Dardanelles by the guns of Germany’s ally, the Ottoman Empire, Russia initially could receive help only via Archangel, which was frozen solid in winter, or via Vladivostok, which was over 6,400 kilometers (4,000 mi) from the front line.

By 1915, a rail line was built north from Petrozavodsk to the Kola Gulf and this connection laid the foundation of the ice-free port of what eventually was called Murmansk.

The Russian High Command was moreover greatly weakened by the mutual contempt between Vladimir Sukhomlinov, the Minister of War, and the incompetent Grand Duke Nicholas Nikolayevich who commanded the armies in the field.

In spite of all of this, an immediate attack was ordered against the German province of East Prussia. The Germans mobilised there with great efficiency and completely defeated the two Russian armies which had invaded.

The Battle of Tannenberg, where an entire Russian army was annihilated, cast an ominous shadow over Russia’s future.

Russia had great success against both the Austro-Hungarian and Ottoman armies from the very beginning of the war, but they never succeeded against the might of the German Army.

In September 1914, in order to relieve pressure on France, the Russians were forced to halt a successful offensive against Austria-Hungary in Galicia in order to attack German-held Silesia.

Russian prisoners after the Battle of Tannenberg, where the Russian Second Army was annihilated by the German Eighth Army
Gradually a war of attrition set in on the vast Eastern Front, where the Russians were facing the combined forces of the German and Austro-Hungarian armies, and they suffered staggering losses.

General Denikin, retreating from Galicia wrote, “The German heavy artillery swept away whole lines of trenches and their defenders with them. We hardly replied.

There was nothing with which we could reply.

Our regiments, although completely exhausted, were beating off one attack after another by bayonet … Blood flowed unendingly, the ranks became thinner and thinner and thinner. The number of graves multiplied.”

On 5 August, with the Russian army in retreat, Warsaw fell. Defeat at the front bred disorder at home. At first, the targets were German, and for three days in June shops, bakeries, factories, private houses, and country estates belonging to people with German names were looted and burned.

The inflamed mobs then turned on the government, declaring the Empress should be shut up in a convent, the Tsar deposed and Rasputin hanged.

Nicholas was by no means deaf to these discontents.

An emergency session of the Duma was summoned and a Special Defense Council established, its members drawn from the Duma and the Tsar’s ministers.

In July 1915, King Christian X of Denmark, first cousin of the Tsar, sent Hans Niels Andersen to Tsarskoye Selo with an offer to act as a mediator.

He made several trips between London, Berlin, and Petrograd and in July saw the Dowager Empress Maria Fyodorovna.

Andersen told her they should conclude peace.

Nicholas chose to turn down King Christian’s offer of mediation, as he felt it would be a betrayal for Russia to form a separate peace treaty with the Central Powers when its allies Britain and France were still fighting.

The energetic and efficient General Alexei Polivanov replaced Sukhomlinov as Minister of War, which failed to improve the strategic situation.

In the aftermath of the Great Retreat and the loss of the Kingdom of Poland, Nicholas assumed the role of commander-in-chief after dismissing his cousin, Grand Duke Nicholas Nikolayevich, in September 1915.

This was a mistake, as the Tsar came to be personally associated with the continuing losses at the front. He was also away at the remote HQ at Mogilev, far from the direct governance of the empire, and when the revolution broke out in Petrograd he was unable to halt it.

In reality, the move was largely symbolic, since all important military decisions were made by his chief-of-staff General Michael Alexeiev, and Nicholas did little more than review troops, inspect field hospitals, and preside over military luncheons.

Nicholas II with his family in Yevpatoria, Crimea, May 1916

The Duma was still calling for political reforms and political unrest continued throughout the war.

Cut off from public opinion, Nicholas could not see that the dynasty was tottering.

With Nicholas at the front, domestic issues and control of the capital were left with his wife Alexandra. However, Alexandra’s relationship with Grigori Rasputin, and her German background, further discredited the dynasty’s authority.

Nicholas had been repeatedly warned about the destructive influence of Rasputin but had failed to remove him.

Rumors and accusations about Alexandra and Rasputin appeared one after another; Alexandra was even accused of harboring treasonous sympathies towards Germany.

Anger at Nicholas’s failure to act and the extreme damage that Rasputin’s influence was doing to Russia’s war effort and to the monarchy led to Rasputin’s eventual murder by a group of nobles, led by Prince Felix Yusupov and Grand Duke Dmitri Pavlovich, a cousin of the Tsar, in the early morning of Saturday 17 December 1916 (O.S.) / 30 December 1916 (N.S.).

Collapse

Nicholas with members of the Stavka at Mogilev in April 1916.

As the government failed to produce supplies, mounting hardship resulted in massive riots and rebellions.

With Nicholas away at the front from 1915 through 1916, authority appeared to collapse and the capital was left in the hands of strikers and mutineers, soldiers.

Despite efforts by the British Ambassador Sir George Buchanan to warn the Tsar that he should grant constitutional reforms to fend off a revolution, Nicholas continued to bury himself away at the Staff HQ (Stavka) 600 kilometers (400 mi) away at Mogilev, leaving his capital and court open to intrigues and insurrection.

Ideologically the tsar’s greatest support came from the right-wing monarchists, who had recently gained strength.

However they were increasingly alienated by the tsar’s support of Stolypin’s Westernizing reforms, by tsar’s liberal reforms taken early in the Revolution of 1905, and especially by the political power, the tsar had bestowed on Rasputin.

By early 1917, Russia was on the verge of the total collapse of morale.

An estimated 1.7 million Russian soldiers were killed in World War I.

The sense of failure and imminent disaster was everywhere.

The army had taken 15 million men from the farms and food prices had soared. An egg cost four times what it had in 1914, butter five times as much. The severe winter dealt the railways, overburdened by emergency shipments of coal and supplies, a crippling blow.

Russia entered the war with 20,000 locomotives; by 1917, 9,000 were in service, while the number of serviceable railway wagons had dwindled from half a million to 170,000.

In February 1917, 1,200 locomotives burst their boilers and nearly 60,000 wagons were immobilized. In Petrograd, supplies of flour and fuel had all but disappeared.

War-time prohibition of alcohol was enacted by Nicholas to boost patriotism and productivity, but instead damaged the treasury and funding of the war due to the treasury now being deprived of alcohol taxes.

On 23 February 1917 in Petrograd, a combination of very severe cold weather and acute food shortages caused people to start to break shop windows to get bread and other necessities.

In the streets, red banners appeared and the crowds chanted “Down with the German woman! Down with Protopopov! Down with the war! Down with the Tsar!”

Police started to shoot at the populace from rooftops, which incited riots. The troops in the capital were poorly motivated and their officers had no reason to be loyal to the regime.

They were angry and full of revolutionary fervor and sided with the populace.

The Tsar’s Cabinet begged Nicholas to return to the capital and offered to resign completely. The Tsar, 800 kilometers (500 mi) away, was misinformed by the Minister of the Interior, Alexander Protopopov, that the situation was under control, and he ordered that firm steps be taken against the demonstrators.

For this task, the Petrograd garrison was quite unsuitable.

The cream of the old regular army had been destroyed in Poland and Galicia.

In Petrograd, 170,000 recruits, country boys or older men from the working-class suburbs of the capital itself, remained to keep control under the command of wounded officers invalided from the front and cadets from the military academies.

The units in the capital, although many bore the names of famous Imperial Guard regiments, were in reality rear or reserve battalions of these regiments, the regular units being away at the front. Many units, lacking both officers and rifles, had never undergone formal training.

General Khabalov attempted to put the Tsar’s instructions into effect on the morning of Sunday, 11 March 1917.

Despite huge posters ordering people to keep off the streets, vast crowds gathered and were only dispersed after some 200 had been shot dead, though a company of the Volinsky Regiment fired into the air rather than into the mob, and a company of the Pavlovsky Life Guards shot the officer who gave the command to open fire. Nicholas, informed of the situation by Rodzianko, ordered reinforcements to the capital and suspended the Duma.

However, it was too late.

On 12 March, the Volinsky Regiment mutinied and was quickly followed by the Semenovsky, the Ismailovsky, the Litovsky Life Guards, and even the legendary Preobrazhensky Regiment of the Imperial Guard, the oldest and staunchest regiment founded by Peter the Great.

The arsenal was pillaged, the Ministry of the Interior, Military Government building, police headquarters, the Law Courts, and a score of police buildings were put to the torch.

By noon, the fortress of Peter and Paul, with its heavy artillery, was in the hands of the insurgents. By nightfall, 60,000 soldiers had joined the revolution.

The order broke down and members of the Duma and the Soviet formed a Provisional Government to try to restore order.

They issued a demand that Nicholas must abdicate.

Faced with this demand, which was echoed by his generals, deprived of loyal troops, with his family firmly in the hands of the Provisional Government and fearful of unleashing civil war and opening the way for German conquest, Nicholas had little choice but to submit.

Archduke Franz Ferdinand

Archduke Franz Ferdinand

Archduke Franz Ferdinand Carl Ludwig Joseph Maria of Austria (18 December 1863 – 28 June 1914) was the heir presumptive to the throne of Austria-Hungary.

His assassination in Sarajevo is considered the most immediate cause of World War I.

Franz Ferdinand was the eldest son of Archduke Karl Ludwig of Austria, the younger brother of Emperor Franz Joseph I. Following the suicide of Crown Prince Rudolf in 1889 and the death of Karl Ludwig in 1896, Franz Ferdinand became the heir presumptive to the Austro-Hungarian throne.

His courtship of Sophie Chotek, a lady-in-waiting, caused conflict within the imperial household, and their morganatic marriage in 1900 was only allowed after he renounced his descendants’ rights to the throne.

Franz Ferdinand held significant influence over the military, and in 1913 he was appointed inspector general of the Austro-Hungarian armed forces.

On 28 June 1914, Franz Ferdinand and his wife were assassinated in Sarajevo by the 19-year-old Gavrilo Princip, a member of Young Bosnia. Franz Ferdinand’s assassination led to the July Crisis and precipitated Austria-Hungary’s declaration of war against Serbia, which in turn triggered a series of events that eventually led to Austria-Hungary’s allies and Serbia’s allies declaring war on each other, starting World War I.

Battle of Hill 70

 

The Battle of Hill 70

The Battle of Hill 70 took place in the First World War between the Canadian Corps and four divisions of the German 6th Army.

The battle took place along the Western Front on the outskirts of Lens in the Nord-Pas-de-Calais region of France between 15 and 25 August 1917.

The objectives of the assault were to inflict casualties and to draw German troops away from the 3rd Battle of Ypres and to make the German hold on Lens untenable.

The Canadian Corps executed an operation to capture Hill 70 and then establish defensive positions from which combined small-arms and artillery fire, some of which used the new technique of predicted fire, would repel German counter-attacks and inflict as many casualties as possible.

The goals of the Canadian Corps were only partially accomplished; the Germans were prevented from transferring local divisions to the Ypres Salient but failed to draw in troops from other areas.

A later attempt by the Canadian Corps to extend its position into the city of Lens failed but the German and Canadian assessments of the battle concluded that it succeeded in its attrition objective.

The battle was costly for both sides and many casualties were suffered from extensive use of poison gas, including the new German Yellow Cross shell containing the blistering agent sulfur mustard (mustard gas).

HMS Iron Duke

HMS Iron Duke

HMS Iron Duke was a dreadnought battleship of the Royal Navy, the lead ship of her class, named in honour of Arthur Wellesley, 1st Duke of Wellington.

She was built by Portsmouth Dockyard, and her keel laid in January 1912.

Launched ten months later, she was commissioned into the Home Fleet in March 1914 as the fleet flagship.

She was armed with a main battery of ten 13.5-inch (340 mm) guns and was capable of a top speed of 21.25 knots (39.36 km/h; 24.45 mph).

Iron Duke served as the flagship of the Grand Fleet during the First World War, including at the Battle of Jutland.

There, she inflicted significant damage on the German battleship SMS König early in the main fleet action. In January 1917, she was relieved as the fleet flagship.
After the war, Iron Duke operated in the Mediterranean as the flagship of the Mediterranean Fleet.

She participated in both the Allied intervention in the Russian Civil War in the Black Sea and the Greco-Turkish War.

She also assisted in the evacuation of refugees from Smyrna.

In 1926, she was assigned to the Atlantic Fleet, where she served as a training ship. Iron Duke remained on active duty for only a few more years;

in 1930, the London Naval Treaty specified that the four Iron Duke-class battleships be scrapped or otherwise demilitarised.

Iron Duke was therefore converted into a gunnery training ship; her armour and much of her armament were removed to render her unfit for combat.

She served in this capacity until the outbreak of the Second World War in September 1939, when she was moored in Scapa Flow as a harbour defence ship. In October, she was badly damaged by German bombers and was run aground to avoid sinking.

She continued to serve as an anti-aircraft platform for the duration of the war and was eventually refloated and broken up for scrap in the late 1940s.